the Studio 32 is a 16-channel, 4-group, inline monitor recording console which offers great sonic quality and flexible routing versatility.

Extended information

"The Studio 32Ö is a 16-channel, 4-group, inline monitor recording console which offers sonic quality and routing versatility that goes far beyond the capabilities of any mixer in its price range. As a true inline console, the Studio 32 lets you send 16 audio signals to a recorder and monitor 16 channels coming back from tape without re-patching. Its 16 hybrid/discrete phantom-powered mic preamplifiers offer excellent sonic quality, very low noise and high headroom with more than 60dB of gain, making it ideal for digital recording. Plus, these preamps are fed by 16 XLR inputsû one for each mic preûmaking small mixer routing nightmares a thing of the past. Another highlight of the Studio 32 is its big console EQ section, providing low and high shelving controls and a powerful, fully-parametric mid-frequency control set with individual gain, sweep and Q controls. Effects and cue mixes are handled by six aux sends, two pre-fader and four post-fader. Precise pan controls, mute and solo switches, peak indicators and smooth 60mm true logarithmic faders are found on every channel. Plus, the Studio 32 is designed for professional use, so all of its audio connections are located on the rear panel. The Studio 32 easily connects to a variety of gear using either balanced or unbalanced signal levels, with 1/4"" TRS jacks handling most interfacing duties. If you have a project studio with multiple ADATs, make the most of it using the powerful, affordable console from the digital recording leader...the Studio 32 by Alesis.



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Technical specifications

"Frequency Response:
20Hz - 50kHz ˜ 0.5dB

Equivalent Input Noise (22Hz - 22kHz, 150 ohm):
-129dBu

Maximum Gain (MIC In to L/R Master Out):
76 dB

THD+N @ 1kHz: MIC/LINE to L/R Master Out <0.0025% Fader

Attenuation(1kHz):>80dB

Crosstalk Attenuation(1kHz): >80dB

Maximum Output: +28dBu Main L/R, +22dBu all other outputs

Noise (Main L/R Out, 16 channels assigned, channel faders down):
<-86dBu

Signal To Noise:
90dB

Dynamic Range:
108 dB

Front Panel Controls:
Mic/Line Gain x 16
Hi EQ x 16
12kHz ˜15dB Low EQ x 16
80Hz ˜15dB Hi Mid EQ x 16
120Hz to 14kHz ˜15dB Sweepable Bandwidth (Q) of 1/6 to 2 octaves Aux Sends 3(5)/4(6) (switchable) x 16 Pre-Fader Monitor Sends 1-2 x 16 Mon 1-2 Pan x 16 Channel Pan x 16 60mm Channel Fader x 16 Stereo Aux Return Levels x 4 Return Send to Monitor 1-2 x 4 60mm Group Master Faders x-4 Aux Send Masters x 4 60mm Master Fader L/R Control Room Level Phones Level Solo Level 10 Segment LED Peak Meters x 2 Front

Panel Switches:
Mic-Line/Tape x 16
EQ In x 16
75Hz Hipass Filter x 16
Aux 3(5) from Fader/Monitor x 16
Aux 3(5)/4(6) Toggle x 16
Monitor 1/2 Source x 16
Mute x 16, Solo x 20
Chan Assign 1-2
3-4, L-R x 16
Aux Return to L/R x 4
Aux Return to Groups x 4
Group to L/R x 4
Group Mono x 4
CR Source (Mon 1/2, Aux 3/4, Aux 5/6, Grp 1/2, Grp 3/4, 2 Trk)
CR Mono
Headphones Source (CR/Mon 1/2)

Rear Panel Jacks:
(All 1/4"" except as noted)
Tape Direct Out x 16
Tape In x 16
Insert x 16
Line In x 16
Mic In x 16 XLR
CR Out x 2
2 Trk Tape In x 2
Main Outs x 2
Main Inserts x 2
Group Outputs x 4
Aux Returns x 8
Aux Outputs x 6

Front Panel:
Headphone: 1/4"" TRS (2 jacks)

Power Supply:
(US Domestic) 120VAC Internal Transformer

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