Extended information "The 8òBus series was designed to eliminate the last barrier between you and audio creativity -- the 32ò8, 24ò8 are capable of sound quality equal to or better than that of 100,000 Euro consoles. 8òBus consoles have recorded more platinum albums and major motion picture soundtracks than any other mixer in their class -- they set the standard for affordable 8-bus consoles.
Excellent for project studios and digital multitrack recording, when combined with digital multitrack or hard disk recording systems, a Mackie 8òBus console can create not just major label CDs, but major motion picture soundtracks and network quality commercials.
Features include low-noise/high-headroom mic preamps on every channel, as well as channel inserts and direct outs. In the channel strip you'll find Mackie's truly musical EQ -- with Hi and Lo shelving EQ, parametric Hi-Mid, and sweepable Low-Mid EQ -- as well as our Low Cut Filter, which allows you to eliminate mic thumps and room rumble from your mix, and use your EQ for music and vocals.
With Mix B, ""in-line monitoring"" is a breeze. Six aux sends and six aux returns allow you to use all the effects you want. And the 8òBus's complete talkback and phones level controls make communicating with the talent a snap. There's much more:
When you get right down to it, the 8òBus series of recording consoles is a value at many times the price. The fact that artists and producers of every shape and size have sworn by them means when you buy an 8òBus you'll be in good company.
Available in 32, and 24 channel consoles
Loads of outputs for easy multitracking
Mackie's premium mic preamps on every channel (with phantom power for use with condenser mics)
100mm log-taper faders for consistently smooth fades
EQ: Full parametric Hi-Mid w/separate band center & ""Q"" controls, swept Lo-Mid, and Hi & Lo shelving EQ
Low Cut Filter (18dB/oct @ 75Hz) on every channel
6 stereo (2 assignable) aux returns
Extensive routing capabilities
"
Technical specifications Mic In
Mic/Line Switch
Line In
Direct Out
Channel Insert
Channel Trim
Flip switch
Aux Sends 1 & 2
Aux Sends 1 & 2 Pre/Post switch
Aux Sends 3-4/5-6
Aux Sends 3-4/5-6 shift switch
Aux Sends 3-4/5-6 Pre/Post switch
Channel/Mix B source switch
Hi-Mid EQ controls (boost/cut, sweep, bandwidth)
Lo-Mid EQ controls (boost/cut, sweep)
Hi Shelving EQ
Lo Shelving EQ
EQ in switch
Low Cut Filter switch (18dB/octave, 75Hz)
Mix B pan control
Mix B level control
Mix B Split switch
Mix B Source
+22dB Overload LED
-20dB LED
Pan control
Solo switch and LED
Mute switch and LED
Assignment switches (1-2, 3-4, 5-6, 7-8, L-R)
100mm log-taper fader
Aux Sends 1 & 2 level controls
Aux Sends 1 & 2 solo switches
Aux Sends 3 & 4, 5 & 6 level controls
Aux Sends 3 & 4, 5 & 6 solo switches
Stereo Aux Returns 1 & 2 level controls
Stereo Aux Returns 1 & 2 balance controls
Stereo Aux Returns 1 & 2 solo and assign switches
Stereo Aux Returns 3 & 4 level controls
Stereo Aux Returns 3 & 4 solo and assign switches
Stereo Aux Returns 5 & 6 level controls
Stereo Aux Returns 5 & 6 solo switches
Mix B master level control
Assign to L/R Mix switch
Phones 1 level control
Phones 1 solo switch and LED
Phones 1 source switches
Phones 2 level control
Phones 2 solo switch and LED
Phones 2 source switches
Studio monitor level control
Control Room monitor level control
Studio & Control Room source switches
Talkback level control
Talkback assign switches
Sub 1-8 L & R meters
Main (or solo level) L & R meters
Sub 1-8 solo switches
Mono and L-R mix assign switches
Talkback mic
Sub 1-8 100mm log-taper faders
L-R main mix 100mm log-taper fader
DC power in
Expander port
Main L & R XLR outputs
Submaster/tape outputs (triple-bused).
Tape output operating level switch, +4/-10
Tape Returns
Tape Return operating level switch, +4/-10
For more information, please visit this products webpage.
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