Sony dmx-r100
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Available from 11/30/1999 until 11/30/1999
Fully professional digital 8 bus mixer
Extended information
The DMX-R100 gives studio owner/operators the opportunity to own and enjoy the latest technology from Sony, a fully professional digital mixer designed especially for the production of high quality stereo and surround sound projects. It has an impressive pedigree as it shares many design features as the critically acclaimed Sony OXF-R3 audio mixer.
The stunning performance, operational and flexibility of DMX-R100 satisfy the creative needs of producers, artists and engineers in applications ranging from music studios post production, audio pre-mastering to live installations.
Technical specifications
Digital Inputs AUX RETURN: 4 ch, AES/EBU, XLR-3-31 type (x 2)
Digital Outputs PGM OUT: 2 ch (stereo), AES/EBU, XLR-3-32 type (x 1)
Analogue Inputs Analog IN-A 12 ch, +24 dBu max., 4.7 kâÌ, balanced, XLR-3-31 type (x 12)
Analogue Outputs PGM OUT: 1/4" TRS jack and XLR-3-32 +4 dBu (+24 dBu max.), 10 kâÌ load, output impedance 150âÌ , balanced
Analogue Insertion Signal INSERTION (SEND/RETURN): unbalanced, 1/4" TRS jack (x 12) 12 ch, 0 dBu (+20 dBu max.), 10 kâÌ load, input impedance: 10 kâÌ, output impedance: 150 âÌ,
Control Signal Inputs/Outputs Word Sync IN/OUT Duty 50 %, TTL Compatible, 75 âÌ, BNC (x 1, each)
Signal Processing Characteristics Signal Processing 32/40-bit floating point
Equalizer High Frequency
(Peak/Shelf)
1 Fs : 622 Hz to 19.9 kHz (61 points)
Filters High Cut Filter 1.48 kHz to 22.35 kHz (48 points),
Dynamics Compressor/Ducking
Oscillator Frequency 20 Hz to 20 kHz (28 points),
32 Signal level meters 20 segment LED
Automation Title Configuration
Snapshot Automation Contents Input routing, delay, phase, triming, input mode, filter, equalizer, dynamics, pan, assign, cut, fader, AUX
Dynamic Automation Contents Filter, equalizer, dynamics, pan, assign, cut, fader, AUX
Fader Resolution 10-bit (1024 steps)
Audio
Frequency Response LINE IN to PGM OUT 20 Hz to 20 kHz, 0.2 dB (typical)
Total Harmonic Distortion LINE IN to PGM OUT 0.01%, at +4 dBs, 1 kHz (typical)
Noise Level LINE IN -104 dBu, 600 terminated (-80 dB , 4 dB standard) (typical)
Crosstalk Between Input and Output Channels 90 dB at 1 kHz
Dynamic Range LINE IN to PGM OUT 104 dB
A/D Converter 24-bit, x 128 oversampling
D/A Converter 24-bit, x 128 oversampling
Total Delay 2.5 ms (between LINE IN and PGM OUT), Fs = 48 kHz
General Power Requirements AC 100 V (J), 120 V (UC), 240 V (CE), 50/60 Hz
