The Finalizer 96K is a Dynamics Processor with a 5-band Equalizer, Dynamic EQ, Stereo Adjust and Spectral Stereo Image. There are various other Effects with which you can shape your sound like a MultiBand Compressor and a realtime Gain Maximizer.

Extended information

MAIN FEATURES
ò Convert
24bit/96kHz resolution A/D and D/A converters, Format conversion (AES/EBU, S/PDIF and Tos-link) ADAT interface (track bounce)

ò Sample Rate Conversion
Within the range of 31-49kHz

ò Shape
Five band 24bit Stereo Digital Equalizer

ò Enhance
Choose between Dynamic EQ, Stereo Adjust, Digital Radiance GeneratorÖ and Spectral Stereo Image

ò Normalize
Real-time Gain Maximizer

ò Expand
Variable Slope multiband Expander

ò Squeeze
Multiband Compressor

òTrim
Variable Ceiling multiband Limiter prevents overs

ò Fade
Manual or Auto Fade Tool

ò Dither
Maintain the highest resolution at the digital AES/EBU and S/PDIF outputs, Tos-link and ADAT

ò Balance
L/R balance in 0.1dB steps

In short, all the tools you need are provided in the Finalizer 96K and makes it essential in your studio.

When you use the Finalizer 96K you can easily enhance the Dynamics of your mix while you mix. Inserted between the Stereo output of your mixer or DAW and your DAT or CDR, it enhances the dynamics and ensures optimal Analog to Digital conversion.

TRUE 24 BIT/KHZ PERFORMANCE
New features have been added to the Finalizer 96K. It has been updated with new true 24bit resolution A/D and D/A converters. Sample Rate Converter translates AES/EBU, S/PDIF and Tos input to the FinalizerÆs internal or external rate. Sample Rate Conversion is within the input range 31-49kHz.

The ADAT interface enables you to freely choose 2 ADAT channels and direct them to other channels on the ADAT. This enables you to bounce tracks while processing the sound with the FinalizerÆs unique features. Finalize your mix and turn it into a masterpiece.

SIMPLE VERSATILITY
The Finalizer 96K gives you all the features you need to add the finishing touch to your mix. The Finalizer 96KÆs multi-band processor will make your mix sound punchier and crisper. The Finalizer 96K enable you to easily turn your demo tapes into finished recordings. You decide how you want your precious recording to sound and the Finalizer 96K will take you there.

If you prefer using an external device and insist on using it, the Finalizer 96K gives you the ability to insert it, using the analog inputs or Digitally via AES/EBU, S/PDIF or Tos-link. The Finalizer 96K also gives you the choice of inserting internal effects, this if useful for you when you for example want to refine the overall EQ before compressing the signal.

ANALYZER FUNCTIONS
The Finalizer 96K features a wide range of extremely useful analyzer functions: Phase Correlation Meter, Level Flow Meter, Peak Hold Meter and Digital I/O Status. Even a Calibration Tone Generator is included in the Finalizer 96K.

MAKING IT EASY
The successful Wizard function is part of the Finalizer 96K, it immediately calculates an optimal setting for your material. The more experienced user may tweak the signal path extensively with more than 90 parameters to choose from. All of the FinalizerÆs functions are easily monitored on the graphic LCD and on the seven precision LED meters.

DITHERING
The use of dithering is very important when interfacing digitally between audio equipment. When resolution is changed from higher to lower, dithering is necessary to minimize distortion. In the Finalizer 96K you have the user friendly TPDF Dithering. The output resolution of the Finalizer 96K is 24bit, when the receiver of the Finalizer signal has a lower resolution, output Dither must be applied to equal the resolution of the receiver. You can Dither from 8-22bits. If your low level signals are in Stereo, Uncorrelated Dither is the best choice, if they are in Mono, Correlated Dither will be the most unobtrusive. If the low level signals are unfocused, Inverse Dither may be your best choice.

RECALL

The Recall page takes you step by step through a carefully selected list of 30 presets suitable for any type of source material. There are presets for Classical, Rock, Commercials, Jazz, Techno, Live etc.

WIZARD

When you want to create your own special preset, call up the Wizard. Just answer four basic questions about your source material and the type of processing you require, the Wizard will then optimize your material fast and easy.

INPUT & OUTPUT

The In & Out blocks now share the same flowchart that shows the signal path from input through inserts to output. The intuitive user-interface gives you the best possible overview, and makes instant connection changes.

TOOLS

The Phase Correlation Meter will tell you whether your signal is stereo, mono or out of phase. The Level Flow Meter shows you the level in each block of the Finalizer 96K. This gives you a quick way of viewing headroom throughout the entire signal path.

Another useful tool is the the Digital Status Tool which lets you decide how the status bits are handled through the Finalizer 96K, this is great when converting from S/PDIF to AES/EBU or vice versa.

INSERTS

The Insert block give you the ability to insert external devices either using the analog inputs or digitally via AES/EBU, S/PDIF or Tos-link. The Finalizer 96K also gives you the choice of inserting internal effects e.g. if you want to adjust the Stereo Image.

EQUALIZER

Use the high quality 5 band Stereo Digital EQ to adjust the spectral content of your mix and simultaneously preserve or enhance the transparency and energy of your mix

SPECTRAL STEREO IMAGE

The Spectral Stereo Image allows you to control the Stereo content in three bands independent of the Dynamics crossover. Use this for enhancing the Stereo Image in a specific frequency range, e.g. when widening the vocal area without removing the punch of the bassdrum.

NORMALIZER

In this block, the signalÆs gain is optimized to ensure maximum utilization of headroom. A logical graphic display makes the adjustment a breeze. You can choose between hard or soft limiting to avoid clipping. Simply recall a preset you like, normalize the gain and the signal is now suitable for the thresholds in the following dynamics blocks. You are up and running.

COMPRESSOR/LIMITER/EXPANDER

When you use the Finalizer 96K properly the multiband Compression becomes a desirable form of EQ. Features like variable crest factor, absolute digital ceiling and variable clipper provide you with a unique set of mastering tools.

CROSS-OVER

The Compressor, Limiter and Expander share three user-definable frequency bands. This feature allows you to treat the lows (kicks), mids (vocals) and highs (cymbals) independently without the æpumpingÆ or æbreathingÆ associated with conventional full range compressors.

Technical specifications

"Digital Inputs and Outputs


Connectors: XLR (AES/EBU), RCA Phono (S/PDIF),
Optical (Tos-link, ADAT)
Formats: AES/EBU (24 bit), S/PDIF (20 bit), EIAJ CP-340,
IEC 958, EIAJ Optical (Tos-link),
ADAT Lite pipe
Output Dither: HPF/TPDF dither 8-24 bit,
mono, stereo, inverted
Word Clock Input: RCA Phono, 75 ohm, 0.6 to 10 Vpp
Sample Rates: 32 kHz, 44.1 kHz, 48 kHz,
88.2 kHz, 96 kHz
Processing Delay: 0.2 ms @ 48 kHz,
0.1 ms @ 96 kHz
Frequency Response DIO: DC to 23.9 kHz ˜ 0.01 dB @ 48 kHz
DC to 47.9 kHz ˜ 0.01 dB @ 96 kHz
Compressor THD+N: -130 dB (0.00003%) @ 10 dB Compression,
20 Hz-20 kHz
Sample Rate Conversion Type: Asynchronous
Dynamic Range: 130 dB
THD+N: -106 dB 44.1 to 48 kHz @ 1 kHz, -2 dBFS
Input Rate Range: 31 kHz to 49 kHz



Analog Inputs


Connectors: XLR balanced (pin 2 hot)
Impedance: 20 Kohm
Max.Input Level: +22 dBu (balanced)
Min.Input Level for O dBFS:
-10 dBu
Sensitivity: @ 12 dB headroom: -22 dBu to +10 dBu
A to D Conversion: 24 bit (6.144 MHz delta sigma
@ 48/96 kHz)
A to D Delay: 0.8 ms @ 48 kHz, 0.4 ms @ 96 kHz
Dynamic Range: >103 dB (unweighted,
BW=22 kHz), >106 dB(A)
THD: -95 dB (0,0018 %) @ 1 kHz,
-6 dBFS (FS @ +16 dBu)
Frequency Response: 10 Hz to 20 kHz: +0/-0.2 dB @ 48 kHz
10 Hz to 45 kHz: +0/-1 dB @ 96 kHz
Crosstalk: <-60 dB, 10 Hz to 20 kHz,
typical -90 dB @ 1 kHz



Analog Outputs


Connectors: XLR balanced (pin 2 hot)
Impedance: 100 ohm (active transformer)
Max. Output Level: +22 dBu (balanced)
Full Scale Output Range: -10 dBu to +22 dBu
D to A Conversion: 24 bit (6.144 MHz delta sigma @ 48/96 kHz)
D to A Delay: 0.57 ms @ 48 kHz
0.28 ms @ 96 kHz>100

Dynamic Range: 100 dB (unweighted, BW=22KHz),
>104 dB(A)
THD: -82 dB (0.008 %) @ 1 kHz
-6 dBFS (FS @ +16 dBu)

Frequency Response: 10 Hz to 20 kHz
+0/-0.5 dB @ 48 kHz
10 Hz to 45 kHz
+0/-3 dB @ 96 kHz

Crosstalk: <-60 dB, 10 Hz to 20 kHz
typical û90 dB @ 1 kHz




EMC


Complies with: EN 55103-1, EN 55103-2, Class B of FCC rules/part 15, Class B of CISPR 22



Safety


Certified to: IEC 65, EN 60065, UL 1419 and CSA E65



Environment


Operating Temperature: 32— F to 122— F (0— C to 50— C)
Storage Temperature: -22— F to 167— F (-30— C to 70— C)
Humidity: Max. 90 % non-condensing PCMCIA Interface

Connector: PC Card, 68 pin type 1 cards
Standards: PCMCIA 2.0, JEIDA 4.0
Card Format: Supports up to 2 MB SRAM

Control Interface

MIDI: In/Out/Thru: 5 Pin DIN
GPI, Pedal, Fader: ­"" phone jack

General

Finish: Anodized aluminum front
Plated and painted steel chassis

LCD:
Dimensions: 56 x 128 dot graphic LCD-display
483 x 44 x 208

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