The Mirage preceded the revolutionary EPS and EPS-16+ sampler workstations in the Ensoniq line-up. Historically, the Mirage was one of the earliest affordable sampler synths, originally listing under $1,700. There have been multiple versions of the Mirage too, the DSK8 and the most common and popular known as the Mirage DSK1.

Extended information

Its sampling specs are pretty old-school, a maximum sampling-rate of 32kHz and 8-bit resolution means your sounds will be somewhat lo-fi. The limited 8 notes of polyphony and incredibly tiny amount of storage (128 kb) almost make you want to hide the Mirage in your closet. Even the sample editing is done via hex-code which is not a simple to concept to master. Most users will just load-in sounds from the Mirage's extensive sample library.

However the Mirage has one leftover from older synthesizers that has kept it popular through the years. It has analog filters! Five-stage envelopes for the VCA and VCF, a nice LFO and a low-pass VCF filter with keyboard tracking. There's also a sequencer (333 notes max) that is limited to say the least but is better than nothing.

Most people searching for a classic sampler/synth would look towards the EPS and EPS-16+ from Ensoniq. After all, their specs, design and quality are superior.

Technical specifications

Polyphony - 8 voices Sampler - 8-bit, 32kHz Sample Time - 6.5 seconds at 10kHz Filter - Analog low pass filter with 5 stage envelope VCA - 5 stage digital envelope Keyboard - 61 keys (velocity) Memory - 16 internal patches, 128 kb sampler memory, 3.5 inch diskette Sequencer - 333 Note capacity Control - MIDI

Information above courtesy of www.vintagesynth.com