Studio Software

Algoriddim Releases djay 2.6 with General Electric Collaboration

Algoriddim Releases djay 2.6 with General Electric Collaboration

Today, Algoriddim, release a notable update to the widely acclaimed djay 2 app. In this new version, Algoriddim introduces an all-new collaboration with General Electric (GE) including entirely original mechanical sounds bundled within the app. This feature is one of its kind, marking Algoriddim’s first-ever branded sound pack. Additional enhancements include an improved Spotify integration and seamless integration with brand new DJ gear from Pioneer.

Propellerhead Releases Instrument Development Toolkit for Rack Extensions

Propellerhead today announced that the new Instrument Development Toolkit (IDT) for Rack Extensions is now available, making it easy for sample library producers and instrument designers to build and sell Rack Extensions for the award-winning Reason platform. The new toolkit enables developers to create stunning instruments and bring them to market with minimum effort and maximum support.

Audiorealism ReDominator  – Gearjunkies review

Audiorealism ReDominator – Gearjunkies review

Today we are going back into time to the beginning of the 90s. One sound changed a whole part of the dance music scene. It’s patch title was: What the F.., for those in the know immediately know what i’m talking about. One of the very first records i heard it’s sound on was Mentasm by Joey Beltram. But that one sound got very famous with the release of Human Resource’s Dominator. This sound was later dubbed a Hoover since it sounded a little like a vacuumcleaner. This massive sound came from a small synth called the Roland Alpha Juno 2. Audiorealism took on the big task of recreating this old love of many of us into ReDominator.

FabFilter releases FabFilter Pro-Q 2 equalizer plug-in

FabFilter releases FabFilter Pro-Q 2 equalizer plug-in

FabFilter is proud to announce availability of FabFilter Pro-Q 2, a major update to the Pro-Q equalizer plug-in. New features — such as Full Screen mode, unique Natural Phase processing, Auto Gain, Spectrum Grab, Gain-Q interaction, and slope support for all filter types — make Pro-Q 2 a cut above its predecessor in every way, while staying true to the original vision of combining high sound quality with unsurpassed interface workflow.