In today’s über-connected world, it’s easy to become inured by the nearly endless procession of cookie-cutter bands on the Web. But when a breath of fresh air like Alt-J comes along, it’s proof positive that great music stands out on its own merits. In almost no time at all, the Leeds, UK-based quartet has captured the ears of millions of music lovers, with each gig playing to ever-larger sold-out crowds.
Only StudioLive digital mixers give you the same tools that the pros use for improving live sound and taming room acoustics: Smaart® from Rational Acoustics and a professional reference microphone. And now when you buy a StudioLive 24.4.2 Presonus will send you a PRM1 professional reference microphone so you can take advantage of this awesome PA feature (offer ends May 31, 2013).
Like its 16-channel sibling, the 24-channel StudioLive 24.4.2 is designed for both studio recording and live sound, without compromising the requirements for either. StudioLive 24.4.2 sports the same friendly user interface, robust feature set, and extensive I/O configuration as the StudioLive 16.4.2 but with several significant additions and enhancements. The most obvious difference is that the new mixer provides 24 input channels, rather than 16. As with the 16.4.2, each input features a trim pot, XLR mic input with XMAX™ mic preamp, 1/4-inch TRS balanced line inputs and unbalanced insert points. Like the 16.4.2, the StudioLive 24.4.2 offers 4 subgroup outputs, but where the 16-channel model offers 6 aux buses, the 24.4.2 provides 10 aux buses.
PreSonus is pleased to announce that the StudioLive 24.4.2 digital mixer is now shipping. Like the 16-channel StudioLive 16.4.2, the 24-channel StudioLive 24.4.2 is designed for both studio recording and live sound, without compromising the requirements for either.
StudioLive mixer owners will be delighted to learn that they can control the most-used StudioLive parameters directly from a computer, thanks to PreSonus’ new VSL software for the StudioLive 16.4.2 and StudioLive 24.4.2 digital mixers. VSL(short for “Virtual StudioLive”) provides bidirectional control of channel, subgroup, and main-bus levels; Fat Channel parameters; aux mixes; effects; and the graphic EQ. You get a visual overview of your StudioLive settings so you can see, tweak, and organize them and can easily manage your presets and Scenes. The software will be available for Mac OS X and Windows in the first quarter of 2010 and will be a free download.
Following up on the runaway success of its StudioLive 16.4.2 digital mixer, PreSonus announced a new member of the family: the StudioLive 24.4.2. Like its 16-channel sibling, the 24-channel StudioLive 24.4.2 is designed for both studio recording and live sound, without compromising the requirements for either.
StudioLive 24.4.2 sports the same friendly user interface, robust feature set, and extensive I/O configuration as the StudioLive 16.4.2 but with several significant additions and enhancements. The most obvious difference is that the new mixer provides 24 input channels, rather than 16. As with the 16.4.2, each input features a trim pot, XLR mic input with XMAX™ mic preamp, 1/4-inch TRS balanced line inputs and unbalanced insert points. Like the 16.4.2, the StudioLive 24.4.2 offers 4 subgroup outputs, but where the 16-channel model offers 6 aux buses, the 24.4.2 provides 10 aux buses.
The best-selling small-format digital mixer on the market just got dramatically better with firmware version 1.11 for the StudioLive 16.4.2! The new firmware adds important new features and improvements and is recommended for all StudioLive users.
PreSonus VP of Sales and Marketing Rick Naqvi is beta-testing the new PreSonus StudioLive 16-channel digital mixer in the field, and you are there! Join Rick on his new StudioLive blog as he mixes and records an assortment of live and studio performances in various clubs, churches, concert halls, and studios.