Studio Hardware

Cute little RME Babyface started shipping

Cute little RME Babyface started shipping

The long and eagerly awaited RME Babyface, a new ultra-mobile USB 22-channel audio interface, is now available. Equipped with the latest 192 kHz AD- and DA-converters and two reference class microphone preamps the bus-powered Babyface delivers two high end analog recording channels and four analog playback channels, plus ADAT and MIDI I/O in an attractively shaped enclosure.

KORG iMS-20 app now available

KORG iMS-20 app now available

KORG iMS-20 is an analog synth studio; a complete recreation of the Korg MS-20 analog synth, an analog sequencer, a drum machine, a mixer, and even Korg’s Kaoss Pad technology. Plus, you can share your songs online via the SoundCloud network! The regular price is US$ 32.99; a special introductory price of US$ 15.99 is being offered until January 31, 2011.

Enter the Mothership with the BURL B80

Enter the Mothership with the BURL B80

Introducing the B80 MOTHERSHIP, the multi-channel version of Burl Audio’s critically acclaimed B2 Bomber ADC and DAC. Pushing the boundaries once again, the Burl Audio B80 Mothership AD/DA converter has up to 80 channel capability. Using a card based system, and a heavy duty 4U chassis, the B80 Mothership employs 10 card slots with 2, 4 and 8 channel AD/DA cards, all with the B2 quality signal path.

Genelec announced the 9000A Stereo Volume Control

Genelec announced the 9000A Stereo Volume Control

Genelec, the leader in active monitoring technology for more than three decades, exhibits its new 9000A Stereo Volume Control. Visually designed to appear as a miniature version of Genelec’s 5040A Active Subwoofer, the 9000A provides convenient volume control for all Genelec monitors/loudspeakers. The volume control input and output have 3.5-mm stereo male and female connectors, providing immediate connectivity with most computers and laptops, MP3 players and game stations.

Genelec announces the 8260A Tri-Amplified DSP Monitoring System

Genelec announces the 8260A Tri-Amplified DSP Monitoring System

Genelec, the world’s longstanding pioneer in active monitoring, is exhibiting its 8260A Tri-Amplified DSP Monitoring System. The 8260A breaks new ground in electro-acoustic design, as mechanical, acoustical and signal-processing designs are linked closely together. The 8260A features major advances in audio driver technology, integrated with a sophisticated enclosure design, and Genelec’s proprietary Minimum Diffraction Coaxial (MDC) Mid/High driver technology takes a big step in perfecting audio quality in professional active studio monitors.

Apples iPad and Music Apps – Gearjunkies Review part 2

Apples iPad and Music Apps – Gearjunkies Review part 2

With part two of our iPad series we’ll continue were we ended with part one, the instrument apps. But this time not your regular drum, synth and piano apps. No. This time it’s ‘the peculiar and the strange‘ music apps. And I mean this in a good way! Because some of these apps are meant for the real freaks and sound designers among us. Experimental music apps with great sound and design!

New Universal Audio 4-710d Four-Channel Twin-Finity available

New Universal Audio 4-710d Four-Channel Twin-Finity available

Universal Audio announced that the highly anticipated 4-710d Four-Channel “Twin-finity” Mic Preamp & DI with Dynamics is now shipping. As the newest member of UA’s popular analog hardware lineup, the 4-710d combines boutique-quality tube and solid state tones with smart, modern features like tone-blending, dynamics, and digital outputs — making the 4-710d the most flexible preamp in UA history.

Midi and iPad – Latest developments with iOS 4.2

Since the launch of the iPad, the App Store has been flooded with music applications. This was the main reason to start our ongoing extensive article series on all the different genres of these music apps for the iPad (part one and two already published). Right from the start we got our own iPad and the music apps, there was already one issue we encountered. And that was the MIDI compatibility/connectivity of these music apps. Better said, … there wasn’t any! No matter if the app was cool or fun or plain awesome. The use of these apps in a studio environment was close to nothing.