Combining a tube-based, Class A mic/instrument preamplifier, a smooth, VCA-based compressor and a sweet-sounding, three-band parametric equalizer, the new Studio Channel delivers first-rate sound at every stage. Every aspect screams PRO from the features and circuits to the Neutrik connectors and rugged, 1U metal chassis.
Sonoma Wire Works announces RiffWorks T4 guitar recording software plus four RiffWorks InstantDrummer Sessions are bundled with the Line 6 POD Studio family of recording interfaces.
With a wealth of features – including dbx high-voltage, ultra low noise mic pres, Pantheon II reverbs, and a powerful software mixing board with dbx dynamics and hardware monitor reverb – the Lexicon I•ONIX FW810S is more than just an 8-in, 10-out FireWire audio interface. It is a pro recording studio contained in a single rack unit.
The new valve summing mixer is now finalized and in production, with the first units available for delivery.
We got a special message from Apogee regarding Ensemble, Duet and FireWire 800 compatibility with Apple’s new MacBook Pro.
CME has announced latest version 2.0 firmware for their VX series MIDI keyboards and V1.10 firmware for U-Key Keyboard.
IK Multimedia is proud to announce T-RackS 3, our new high-end mastering and mixing suite.
Just as Octoberfest, OS 1.60 for Octopus and Nemo celebrate the harvest of the past months hard but joyous work! The new OS pushes both our machines to where no machine has ever gone before.
KRK is releasing a Limited Edition Rokit Studio Monitors. The concept and color design is part of a joint collaboration with Guitar Center.
Digidesign today unveiled the third and newest member of its acclaimed Digidesign 003 family 003 Rack Factory.
SPL, a well-known manufacturer of analog hardware processors, will present their first software plug-ins on the 125th AES Convention in San Francisco.
Universal Audio today announced the shipment of the LA-610 Mk II Classic Tube Recording Channel, a feature enhanced, 2nd generation version of UA’s most popular analog product. The preamp and compressor use the same signal path as the original LA-610 that users have come to know and love, and features the legendary 610 mic-pre and EQ section combined with an LA-2A style T4 opto-compressor. The LA-610 Mk II now offers key enhancements such as: true compressor bypass, larger metering, improved output signal performance, and the highly popular “black on black” cosmetics of the LA-610 Signature Edition.
For D-Command users, the D-Command Producer’s Desk provides an ergonomic worksurface that incorporates a built-in Pro Tools Custom Keyboard, your mouse, and your computer monitor onto the same level as your console, providing a more comfortable and efficient workflow. Available in a dark color scheme for the D-Command ES console or the original blue for D-Command, the D-Command Producer’s Desk attaches to your ICON console, giving you Pro Tools editing control on the same surface level as your encoders and faders.
This year’s AES show in San Francisco sees the launch of Focusrite’s latest addition to the award-winning Liquid range. Liquid Mix HD delivers the power of Liquid Mix exclusively to the Pro Tools HD market. Providing the same pool of classic EQ and Compressor emulations, Liquid Mix HD combines the sound of priceless and historically significant compressors and EQs with all the benefits of operating directly inside the Pro Tools HD environment. Over 60 instances can be used simultaneously on an HD 3 system, and thanks to Pro Tools HD’s low latency environment, they can be used for both recording and mixing.
This year’s AES show in San Francisco sees the launch of Focusrite’s new multi-channel firewire audio interface, the Focusrite Saffire PRO 40. It is the best sounding interface in its class, attentively designed with today’s project studio in mind.