Steinberg announced the release of their latest USB 2.0 audio interface. The UR12 features 192 kHz audio quality, class compliant support for the iPad alongside a microphone input with D-PRE preamplifier, one high-impedance line input plus line outputs.
Below are some of the new releases we have encountered this week on the Loops and Samples front. Just like the quality of the audio software we use these days the quality of the content we use (loops and samples) equally matches the high standards of this software. Below is this weeks selection. A lot of holiday sales offerings this time.
MOTU is now shipping Monitor 8, a 24 x 16 x 8 monitor mixer, 6-channel headphone amplifier and USB/AVB audio interface with console-style 48-channel mixing and DSP effects.
Eventide announced the formation of a strategic partnership with Yamaha to develop signature effects for a future update to its recently announced flagship live sound console, the RIVAGE PM10. The Eventide H3000ELive plug-in will include some of the most widely used signature Eventide effects used in the live sound industry.
When researching how to capture the much sought-after sound and vibes of classic 1970’s studios, Question de Son owners Jordan KOUBY and Frederic VECTOL reached out to Amadeus for both the acoustic design and custom studio monitors for both Studio A and Studio B. The team at Amadeus, led by designer Michel DELUC, satisfied all their needs. Question de Son is now one of the most respected studios in France, and a “favorite Paris recording studio.”
Below are some of the new releases we have encountered this week on the Loops and Samples front. Just like the quality of the audio software we use these days the quality of the content we use (loops and samples) equally matches the high standards of this software. Below is this weeks selection.
Arturia is proud to announce availability of V Collection 4, its premium-packaged ultimate reference software collection of keyboards and drum machines, updated and expanded to include all of the cutting- edge company’s latest software instruments for demanding musicians.
Scottish based SkoogMusic announces the launch of its new low-cost wireless Skoog 2.0 on crowd funding site Indiegogo, aiming to raise £75K to finance the final stage of development to get their product out to market. This week the company gave more details about its new Skoog- controlled synth app called Mogo.
Zerodebug has announced the release and immediate availability of touchAble 3, the new version of its dedicated Ableton Live controller app for iPad.
ADAM, the Berlin based monitor manufacturer seems to be in trouble. A few weeks ago they files for bankruptcy. The bankruptcy rumour started a few weeks ago when ADAM claimed on there Facebook that they had serious delivery problems with there product and spare parts.
Below are some of the new releases we have encountered this week on the Loops and Samples front. Just like the quality of the audio software we use these days the quality of the content we use (loops and samples) equally matches the high standards of this software. Below is this weeks selection. A lot of black friday offerings so you might get some steals.
Native Instruments today released the MASCHINE 2.2 software – a major update of NI’s acclaimed integrated hardware/software groove production system.
Lynx Studio Technology introduced the new line of PCI Express Cards at the Los Angeles Audio Engineer Show. These cards combine the connectivity of the Lynx AES16e PCI Express card with the audio quality of the Lynx Aurora converters. The first two offerings are the E44 and E22 cards.
Below are some of the new releases we have encountered this week on the Loops and Samples front. Just like the quality of the audio software we use these days the quality of the content we use (loops and samples) equally matches the high standards of this software. Below is this weeks selection. Apparently they are saving up releases for the holliday season so the number of new releases is rather small this week.
Below are some of the new releases we have encountered this week on the Loops and Samples front. Just like the quality of the audio software we use these days the quality of the content we use (loops and samples) equally matches the high standards of this software. Below is this weeks selection.