Posts Tagged 'Studio/Pro audio'

Something for the Weekend: A Band, some iPhones and a Subway

Ok it’s already sunday but this just came in and I thought I am gonna share this with you: A video of the band Atomic Tom. This video was filmed unannounced on Friday October 8, 2010 aboard the New York City B Train, over the Manhattan Bridge into Brooklyn and edited from 3 iPhone cameras. All footage is performed 100% live and executed in one take. The band is playing this track on their iPhones with music instrument apps. I am not sure I am believing the story behind it. It seems the band had their real instruments stolen and did an ‘impulsive’ gig on the subway. Ah well, … in the end it doesn’t matter because the ‘fun’ factor of this video is high enough (for my standards). Enjoy!

Drawmer announces new Pre-Amp/DAC – The HQ

Drawmer announces new Pre-Amp/DAC – The HQ

Drawmer has unveiled the HQ, a combined precision high-quality monitor pre-amp/volume controller and DAC aimed at devotees to high-fidelity audio everywhere. Bringing together Drawmer’s respected expertise for precision design in both the analogue and digital domains, the HQ is a critical listening device incorporating a highly accurate pre-amp and offering finely balanced volume control over a variety of analogue and digital input sources, with extremely low inter-channel crosstalk. The HQ also boasts a state-of-the-art DAC for clean conversion of digital sources to analogue for reference monitoring.

New RME ADI-6432R BNC available now

New RME ADI-6432R BNC available now

The ADI-6432R BNC provides 64 channels of format conversion from MADI to AES-3id* and vice versa. Based on RME’s highly successful MADI-AES/AES-MADI converter ADI-6432, the newly developed ADI-6432R BNC offers broadcasters ease of integration and fail-safe operation through the utilization of industry standard BNC connectors and dual redundant power supplies, while offering 64 channels of I/O capability. The BNC version targets broadcast and professional users who require AES-3id connections – coaxial 75 Ohm cables with up to 300m length.

Avid Eleven Rack – Hardware Video Overview

Eleven Rack is a revolutionary new guitar recording and effects processing system designed to eliminate the challenges guitarists have faced in the studio and on stage. Say goodbye to the lackluster guitar amp “models” of yesteryear: Eleven Rack utilizes a unique tone cloning design and one-of-a-kind, custom-designed True-Z input to re-create the experience of playing through a full guitar rig. By combining studio-standard Pro Tools® software with a DSP-accelerated high-resolution interface, Eleven Rack puts professional recording into the hands of every guitar player. Whether you’re tracking in the studio or playing on stage, Eleven Rack delivers fresh, mind-blowing, hyper-realistic guitar amp and effects tones that will inspire your best performances.

Touch Tablets in the Studio – Any iPad competition?

Touch Tablets in the Studio – Any iPad competition?

Now and the coming months several big electronics manufacturers are releasing their own touch tablets, all trying to get a piece of the Apple cake. Over the past two, three years the role of the iPhone and, recently, the iPad has matured from gadget to serious tool in a studio or live performance environment. Looking at the first music apps for the iPhone, I personally have to admit, I thought this was just a temporary fad, craze. But with the iPad, and because of its larger format, the HD apps are maturing fast and deserve to be taken seriously.

Official launch Protools HD Native system

Official launch Protools HD Native system

AVID today introduced Pro Tools | HD Native, enabling a growing market of music and post-production professionals to tackle demanding audio projects using the full capabilities of Pro Tools® HD software running entirely on computer CPU host-processing power. Taking advantage of the rapid advancement in the performance of computer processors, this newest member of the Pro Tools family couples the cutting-edge software features, premium sound quality and broad compatibility of Pro Tools | HD systems, with a highly efficient native audio driver. This combination offers customers outstanding performance without the additional dedicated processing hardware included in larger Pro Tools | HD DSP-assisted systems.

Avid announces new Pro Tools|HD Native system

Avid announces new Pro Tools|HD Native system

Avid surely is busy these days. After last months introduction of the new Mbox family, they now announce a new Pro Tools|HD Native system. Avid Pro Tools|HD Native takes full advantage of today’s high-power computers by offering you some of the top features of Pro Tools|HD at an incredible low price. Pro Tools|HD Native gives you blazing fast I/O, near-zero latency, automatic delay compensation, and full integration with Avid’s HD line of interfaces, leaving your CPU to handle plug-ins and mixing.

Planet-Friendly Tuning from Tascam

Planet-Friendly Tuning from Tascam

The world’s first solar-powered instrument tuner is the new TASCAM TC-1S. The TC-1S charges its battery from a bank of solar cells on the front panel, and a USB input is also available for quick-charging when you’re completely in the dark. It’s wrapped in a shock-proof silicon cover, available in six colors, and a strap and clip keep it charging all day long on your gig bag. At a price under $40, every planet-conscious musician is going to need a TC-1S. 

FabFilter Pro-C – Gearjunkies Review

FabFilter Pro-C – Gearjunkies Review

Fabfilter PRO-C is a compressor/limiter plugin. But what does a compressor really do? To understand this we have to go back in time when professional studio’s didn’t use any compressors. The recording engineers had to manually control the faders in order to compensate for any changes in level. This was even before mix automation. John B. Howell was the first one to come up with the idea to develop a device which could control the level of audio signals. The first (experimental) version didn’t have any variable settings and acted more like a limiter. Still recording engineers wanted it because saved them a lot of effort. Since then the compressor has been evolving till current day even in the digital realm.

Avid introduces new M-Audio Oxygen 88 controller

Avid introduces new M-Audio Oxygen 88 controller

Ideal for use in the studio or on stage, the new M-Audio Oxygen 88 USB MIDI controller keyboard is designed to satisfy players who need the feel of a piano combined with the power of a modern MIDI controller. The 88-note, graded hammer-action keybed offers an impressive feel and response—while 32 assignable buttons, knobs, and faders provide complete control over your music software.