Latest News & Articles

Classic sounds from classic samplers: Grit Kit Introduced

Imagine having a hugely powerful, flexible and inspiring analogue drum synth in your studio: one that allows you to create classic tones from the past or sculpt entirely new contemporary sounds easily and seamlessly. Then imagine that it’s been wired in to a choice of classic, old-skool hardware samplers, so that you can record its output through their signature electronics, pushing their A-to-D converters just as far as you want, to get that meaty thud and crunch to the low end, and crackly sizzle to the high end that only vintage samplers can impart to a beat. Imagine doing away with their cryptic interfaces in favour of a single knob that allows you to dial in precisely how much of their character you want stamped on your sound.

Something For The Weekend: Hemispheres Recording Studio Walkthrough

Recently we came across this video, and immediately we liked it. Why? Well even it’s not the biggest studio we have ever seen it does have this really warm, attractive, vintage vibe. Like James Lugo (owner) says: “a studio where analog meets digital needs“. With the video below he walks through the studio on a night he can’t catch sleep. He shows all the gear in the studio and, well, it’s a feast of recoginition. Some really cool analog gear we all know and love!

Electro-Harmonix Deluxe Bass Big Muff Pi released

Electro-Harmonix Deluxe Bass Big Muff Pi released

EHX’s new Deluxe Bass Big Muff is the latest in the line of bass specific effects and delivers enhancements to the classic Bass Big Muff Pi that are specifically tailored to the needs of the modern bass player. The new pedal adds to the Bass Big Muff’s Volume, Tone and Sustain controls beginning with a pad on the input that is switchable between 0dB and -10dB. This ensures that the pedal is equally effective with both passive and active pickups.

Steinberg Sonote Beat Re:Edit Coming Soon

It is the ultimate beat tool that provides the utmost flexibility for creating new grooves in a creative way. Steinberg today announced the upcoming release of sonote beat re:edit, the ideal beat instrument plug-in for Steinberg’s recently announced Cubase 7 and Cubase Artist 7 music production systems. sonote beat re:edit will be available in the beginning of December.

Plugin Alliance tops Avid AAX Pack plug-in count

Plugin Alliance tops Avid AAX Pack plug-in count

Plugin Alliance LLC is proud to announce that it has contributed six multi-format (including AAX DSP/AAX Native) plug-ins to Burlington, Massachusetts-headquartered digital audio and video technology creator Avid’s recently-released AAX Pack, making it the main contributor to this 18-plug-in-strong bundle…

The Perfect Position for your Native Instruments Maschine

The MASCHINE STAND is an essential accessory for anyone using MASCHINE. It fits both first generation MASCHINE models and the new black and white MK2 hardware controllers, and includes a Mounting Adapter for use with standard drum hardware. Made of robust aluminum, with a black anodized finish and rubber pads for non-slip grip, the stand is designed to provide a strong hold, maximum visibility and improved ergonomics for both studio and stage.

iZotope Trash 2 Released

iZotope Trash 2 Released

It´s been a decade since iZotope Trash first arrived as the ultimate distortion toolbox. As the years have passed, it´s remained a cult favorite of artists such as Nine Inch Nails, Noisia, Garbage, KoЯn, Sigur Rós, and anyone looking to add dirt, grime, and character to their tracks.

Notion Music Releases Progression 2.0 Guitar Software

Award-winning notation software developer NOTION Music, Inc has announced the release of its latest composition software for guitar, bass and drums, Progression 2.0. The original Progression redefined the capabilities of guitar tab software, and now Progression 2.0 leads the industry with an even more intuitive interface, compatibility between desktop and iPad, and great playback featuring real guitar samples performed by guitarist Neil Zaza, bass samples by Victor Wooten, and drum samples by Roy “Futureman” Wooten.