Rhizome Vst Transformer, the software that simplify the VST plugins control. One major problem when controlling VST parameters with hardware encoders is that every VST parameters can have different range, you have “switches” “continuous control” etc… while the encoders do not “know” the range of the parameters (ie, you have to turn many times just to switch “on / off”).
The Sausage Fattener only has two knobs. But don’t be fooled. With those seemingly simple parameters you can create loads of different sounds. Use the Sausage Fattener on a single channel with moderate settings as a musical compressor. Turn it up and you have a dirty bastard of distortion. But you can also use the plugin on a bus (for example all the drums and the bass) or the whole track as a mastering plugin.
Music Making Month has crested over the hill and now we are winding down to the last full week of events. We’ve come a long way, learned a ton, and even survived the end of the world on Saturday. What better way to celebrate that fact than with MORE Music Making Month Events!
Steinberg is web-static to announce the availability of Cubase Elements 6, the latest addition to the Cubase product family. Based on the core technologies of Steinberg’s music production system Cubase 6, the entry-level Elements edition offers intuitive songwriting and recording tools along with great-sounding instruments and effects.
Quikquak just posted a youTube video of a new plug-in, to be launched very soon: MashTactic. MashTactic is a plug-in that can separate various parts of a full audio mix. Many sounds, include vocals can be cut or isolated from a track.
Back around 2006, T-Mobile Germany made this rather comprehensive film on techno giant Richie Hawtin for its Electronic Beats marketing series. Thankfully, the doc is pretty bereft of cell-phone branding junk, and focuses solely on the DJ/producer’s rise to fame, from his humble, Canada-by-way-of-Britain beginnings to his current status as the toast of Berlin’s techno scene. This is the first time that the documentary has been viewable online, so enjoy the 70-odd minutes of classic Detroit footage and interviews with the likes of Derrick May, Kevin Saunderson, Mute label head Daniel Miller, DJ Magda, Hawtin’s ever-involved parents, and, of course, Hawtin himself.
These are the releases we have encountered this week on the Loops and Samples front. Just like the quality of the audio software we use these days the quality of the content we use (loops and samples) equally matches the high standards of this software. Below is this weeks selection.
Since the introduction of the highly successful Digital Jockey series, Reloop stands for digital tradition and consistent further development on the DJ controller market. With MISSION III, namely the Jockey 3, the Digital Jockey series will be newly defined.
A novel method of digital scratching is presented as an alternative to currently available digital hardware interfaces and time-coded vinyl (TCV). Similar to TCV, the proposed method leverages existing analog turntables as a physical interface to manipulate the playback of digital audio. To do so, however, an accelerometer/gyroscope–equipped smart phone is firmly attached to a modified record, placed on a turntable, and used to sense a performers movement, resulting in a wireless sensing-based scratching method.
According to ‘little birds’ on the internet the Numark NS6 controller will be available from june 1st. The NS6 is a 4-channel Digital DJ controller with complete built-in mixer and four decks of software control. NS6 is the first truly pro-grade DJ controller and standalone 4-channel mixer with effects, allowing you to mix external sources with tracks on your computer. Simply put, there has never been this much versatility and control available for professional DJs. NS6’s easy-to-use dual-platter system has been designed in collaboration with Serato to deliver powerful breakthrough performance to DJs of all kinds.
Semothy Jones was 8 years old when he heard a record that showed him the meaning of life: producing music. Admittedly unable to sing or rap, young Semothy faced a somewhat existential crisis: “I make beats, what am I?“
Michael Brauer has enjoyed an illustrious 30-year music career, mixing chart-topping albums by renowned artists including Coldplay, Aretha Franklin, Bob Dylan, and The Rolling Stones. Last month he nabbed the coveted Best Engineered Album Grammy® Award for John Mayer’s Battle Studies, the latest in a long line of accolades for this A-list mixer. Long revered for the storied sonic approach he calls “BRAUERIZE”, Brauer holds court over an amperage-busting, NASA-like collection of vintage outboard gear at New York’s Electric Lady Studios. But even with access to some of the world’s most prized electronics, Brauer delegates a large portion of his signal processing duties these days to Universal Audio’s UAD-2 Powered Plug-Ins. “They have the sound I’m looking for,” he says. “And for me, it’s all about sound.”
Like there is no tomorrow Mario Jurisch has finished work on yet another DIY hardware controller for the Poly-Ana Admiral Quality VST Instrument.
Tone2 Audiosoftware has announced the release of the Vintage soundset for ElectraX. Vintage is an inspiring collection of 220 presets for ElectraX programmed by a team of professional sound designers.
Last april we met the people of sE Electronics at the MusikMesse where they showed us their new Egg monitoring system. Oddly shaped but most intriguing and definitely interesting sounding. A few weeks ago we got an invite to the sE Electronics HQ in the UK to learn more about the company and also the soon to be released Egg Monitors.