Arturia iMini (MiniMoog app) iOS 7 update
Arturia initiates iOS 7 support with their iMini iPad app update. The iMini V1.2 is an authentic recreation of the 1971-vintage Minimoog monosynth for Apple’s all- conquering iPad, as of September 26.
Arturia initiates iOS 7 support with their iMini iPad app update. The iMini V1.2 is an authentic recreation of the 1971-vintage Minimoog monosynth for Apple’s all- conquering iPad, as of September 26.
Camel Audio is happy to announce the release of Alchemy Mobile v2.1.3, which provides support for iOS 7 and Inter-App Audio.
UK producer Paul Epworth has recently installed the ultimate Antelope Audio clocking solution for his DAW interfaces and converters with the Isochrone Trinity and 10M Rubidium Atomic Clock. The Isochrone Trinity high-definition master clock has a total of nine independent clocks employing Antelope’s 4th Generation of Acoustically Focused Clocking with 64-bit Digital Signal Processing (DSP) 3 of which are audio generators with up to 384kHz sample rate and +/- 200 cents varispeed.
In the early nineteen seventies, electronic musician Wendy Carlos programmed a Moog modular synthesizer to perform Baroque pieces. Her albums explore new timbres, and she called one of them The Well–Tempered Synthesizer.
Steven Slate has released the Terry Date Drums expansion pack for the Steven Slate Drums Virtual Instrument and Steven Slate Trigger Drum replacer. They are introducing the expansion pack for SSD4 and Trigger at a time limited lower price of 99 dollars.
If you’re looking for the very latest thinking and innovations in website design and website usage, or want to know how the live scene is changing, or if you need to find new ways to get your music and message to the world in a DIY-style, there’s only one place to be on the 17th and 18th of October: ADE Tech.
Below are some of the new releases we have encountered this week on the Loops and Samples front. Just like the quality of the audio software we use these days the quality of the content we use (loops and samples) equally matches the high standards of this software. Below is this weeks selection.
The Waldorf Pulse 2 Analog Synthesizer is proof positive that good things can come to those that wait. For ever since this high-quality synthesizer developer discontinued its original rack-mountable Pulse and Pulse+ programmable analogue monosynths boasting ballsy bass tones and legendary leads beyond compare, those Nineties electronic musicdominating sounds have been severely sought after by those in the know. Which was exactly what drove Waldorf into development overdrive to produce an all-new Pulse fit for the 21st Century.
Hardware, and with that in mind, modules like the 500 series rack modules used to be the territory of the ‘high-end’ audio gear manufacturers. However, lately we saw a rising availability of these 500 series modules across the board (so to speak). We thought it would be a good plan to look into these 500 series modules and try out some of these modules and see what we would think of these.
Benjamin Laub or Grieves as he’s known to fans, critics, and rappers the world over graduated from his MPC2000 to Reason after getting introduced to it by his long-time collaborator, Budo. Once he realized the depth and possibility, his production quickly shifted over almost entirely inside Reason. And when Grieves set out to take his latest album on tour he was faced with a problem: How could he get his live band to sound EXACTLY like his record sounds?
Native Instruments today released LAZER DICE – a new MASCHINE Expansion for producers of future bass and related genres. Blending synth-heavy electronic and deep south hip-hop, the Expansion features custom drum sounds and patterns created to reflect the rugged beats and skittering rhythms of the genre.
Kemper went to see this guitar player and artist, to talk with him and to see him perform with the Kemper Profiler amp. But they never would have expected how this turned out as it did. Erlend Krauser is an excellent musician with a fantastic technique. Watching this video, we instantly got excited and had to share it with you guys. We don’t say this often, but this is a ‘must-see’!
Two years after the release of the BD101 and FT201, Berlin based effects manufacturer KOMA Elektronik has officially added a new unit to their pedal line: The RH301 – Rhythm Workstation / Utility Tool!
In 1974, before “boutique pedal” meant anything, two friends started building pedals between gigs to make some extra money. Their band never got signed but the pedals they built became the signature tones of their generation, inspiring the music that changed the world.
Yesterday we kinda were surpised by the announcement of the ventures by Audio Damage into the hardware market. They introduced three eurorack modules based on three of their plugins originally. Today Chris Randall (head honcho AD) posted this little video showing off these modules. Check it out!