Synths and workstations

Native Instruments New Flagship MASCHINE STUDIO Announced

Native Instruments New Flagship MASCHINE STUDIO Announced

We heard some rumours about a new MASCHINE through the grapevine for a while now, but rumours are rumours. We were pretty excited, but also cautious if these rumours would carry any truth with them. But today, the rumours were confirmed by Native Instruments as they announce MASCHINE STUDIO and MASCHINE 2.0 – the new flagship groove production studio and next generation of MASCHINE software.

Focusrite VRM Box – Gearjunkies review

Focusrite VRM Box – Gearjunkies review

One of the major issues of getting a mix right is to know how well the mix translates on any given speaker system. How more worse it sounds the better in that case. That’s why I use the stock audio system in my car because it sounds abysmal which is perfect to check mixes. Also when your monitors aren’t that pristine, when you are listening to a mix, you’ll often miss out on details. The other way around applies as well. Even when you have a mastering grade sound system you may wonder how it will sound on a consumer grade sound system. Of course you can create your own impulse responses of various environments and use them with a impulse response plug-in to create this effect but that takes effort and time.

Paul Epworth and his Isochrone Trinity and 10M Rubidium Atomic Clock

Paul Epworth and his Isochrone Trinity and 10M Rubidium Atomic Clock

UK producer Paul Epworth has recently installed the ultimate Antelope Audio clocking solution for his DAW interfaces and converters with the Isochrone Trinity and 10M Rubidium Atomic Clock. The Isochrone Trinity high-definition master clock has a total of nine independent clocks employing Antelope’s 4th Generation of Acoustically Focused Clocking with 64-bit Digital Signal Processing (DSP) 3 of which are audio generators with up to 384kHz sample rate and +/- 200 cents varispeed.