Latest News & Articles

The KOMA Elektronik SVF-201 Filter Module Available Now

After releasing two pedals and a CV motion controller in one year, Berlin based musical instruments manufacturer KOMA Elektronik are slowly moving into the world of modular synthesizers. Last month they announced the release of a tap tempo module for Eurorack synthesizers, but first there is the KOMA SVF-201: a state variable filter for the eurorack modular synthesizer format!

A&H launches OneMix personal monitoring app

A&H launches OneMix personal monitoring app

Allen & Heath has launched iLive OneMix, the latest addition to a family of control options for the iLive digital mixing system. OneMix is an iPad app that gives musicians wireless control of their personal monitor mix. Derived from the iLive MixPad app, OneMix locks control to a single Aux mix, providing instant access to a customised easy-to-use monitor mix environment.

Streamlined multitouch sequencer for the iPad – Steinberg Cubasis

Cubasis is Steinberg’s streamlined, multitouch sequencer for the iPad. Specially designed for quick and easy operation, Cubasis makes recording, editing and mixing a breeze. You can also open your Cubasis projects in Cubase under Windows and OS X! Cubasis places touch-intuitive production tools in your hands, opening up a new world of possibilities for your creativity.

AAS Releases Lounge Lizard EP-4

Applied Acoustics Systems released an all-new version of its award-wining Lounge Lizard EP-4 electric piano plug-in for Mac OS X and Windows. Lounge Lizard EP-4 ships with a new streamlined interface, a new equalizer and compressor module, a new multi-effect processor, brings native 64-bit operation on Mac OS X and more.

Classic Tracks – The real stories behind 68 seminal recordings

Classic Tracks – The real stories behind 68 seminal recordings

Sample Magic has announced the publication of its latest book, Richard Buskin’s Classic Tracks. What really went on behind the doors of the world’s top studios while recording The Beatles, Bruce Springsteen, Bob Dylan, Nirvana and R.E.M.? How did producers and engineers deal with the legendary egos of Oasis and Paul Simon? Or the haunted perfectionism of Michael Jackson and Phil Spector? And how – between the drugs, the sex, the fights, the tears and the tantrums – did some of the most iconic tracks of our times ever get recorded?