Posts Tagged 'Studio/Pro audio'

Digico SD-11 Console – Small Is Beautiful

Digico SD-11 Console – Small Is Beautiful

DiGiCo’s SD range of digital consoles continues to astonish and delight the professional audio industry. Visitors to ProLight+Sound 2011 will discover that the company has ‘done it again’ with the SD11 – a console that is the smallest (both in size and price) that the company has ever produced, but still packed full of DiGiCo’s famous industry leading features. The SD11 will be unveiled at DiGiCo’s stands 8.0 F60 and G56 and is designed to be equally at home as a desktop console or mounted in a 19” rack. By simply removing the end cheeks and arm rest, 19” rack fixings are revealed, making it straightforward to incorporate the SD11 into any touring or installation environment.

NIIO IOTINE CORE Sound Processor

NIIO IOTINE CORE Sound Processor

Something that caught our eye, the Niio Iotine Core Multi Layer Sound Processor, while roaming the Messe floor for interesting gear. The IOTINE CORE is an analog mixing tool designed to allow flexible sound shaping for a recording or live environment. The IC is ideal for breaking up a track for creative sound design and mixing.  

Waves SoundGrid Compact System announced for Yamaha Consoles

Waves SoundGrid Compact System announced for Yamaha Consoles

As a leading manufacturer of live and studio mixing consoles, Yamaha provides the perfect platform for this processing. The system includes everything Yamaha users need to process their live performances using Waves plugins, as well as the tools to capture their performances into a DAW. The SoundGrid Compact System represents the first time Waves has assembled all the components needed to run Waves plugins on a Yamaha console into a single, very affordable package, making the purchasing experience easier and more straightforward for users.

Event 20/20BAS Monitors return

Event 20/20BAS Monitors return

Event Electronics is extremely excited to announce the release of a new generation of the cult 20/20bas speaker that revolutionised the recording industry in the 1990s and secured a place in the hearts of audio engineers the world over. First released in 1995, the original 20/20 nearfield studio monitor was universally acclaimed and launched the Event brand worldwide.

BOSS MICRO BR BR-80 Digital Recorder unveiled

BOSS MICRO BR BR-80 Digital Recorder unveiled

Small enough to fit in your pocket, the BOSS MICRO BR BR-80 is the ultimate new portable recording and jam-along tool for guitarists and other musicians. It’s equipped with three modes to create, record, and perform your music: an eight-track MTR (Multi-Track Recorder) mode; an eBand mode for onstage backing tracks and phrase training; and a Live Rec mode for instantly capturing high-quality stereo recordings. You can even combine the three modes seamlessly.

SPL Neos high-end 120 volt mixer unveiled

SPL Neos high-end 120 volt mixer unveiled

SPL releases a new high-end mixer and/or summing box, NEOS. It has 12 faders for each stereo or mono channel and a master fader. It has inserts for the master channel for mastering processors. Using 120 volt technique it has a higher dynamic range (> 125 dB) and a lower noise threshold (-100dB) than its immediate competitors. It also has a mono, +30dB gain, cut, listen and solo option for every channel. At the master section you can select the mute, dim, mono, tape mix and master insert option.  It also has a bend option but for now this remains a mystery. This high-end mixer comes at a high-end price 9899 euro. This price indicates that it is aimed at the pro users who like to record their hardware into a DAW and/or to mix their software out of the box.

KRK unveils new RP10-3 Monitors

Most professional and commercial facilities offer clients a broad choice of Studio monitors, from Near- to Mid, or even Main field systems so that they can test their mixes across several environments from cars to clubs. In the private, project and home studio environment one monitoring system might have to do it all: the ability to generate huge sound pressure levels when the music and clients demand it, yet maintain the clarity and transparency of a professional studio monitor. Having this level of capability and flexibility at a cost effective price hasn’t been available in a single system.